The characters lurking behind the curtain . . .

Who is the mob boss?  The femme fatale?  And how about that girl, Friday?  Below we give you some background information on the glamourous, intriguing, and mysterious characters in Tear the Curtain!

 

Alex Braithwaite (Jonathon Young). Photo by Brian Johnson.

Alex Braithwaite (Jonathon Young) A talented, respected, yet jaded Vancouver theatre critic, worn down by the sameness of theatre culture in the city and uninspired by his work. He feels incomplete, and is in search of something original; an authentic experience in a world full if imitations and stereotypes. But everything changes when he walks in to review The Swan by Hungarian playwright Ferenc Molnar, starring the beautiful and mesmerizing Mila Brook (Laura Mennell).  

 

Mavis (Dawn Petten). Photo by Brian Johnson.

 

Mavis (Dawn Petten) Alex’s secretary, who will go to any lengths to help her boss in his quest. Mavis is idealistic and true-hearted, and though her devotion to her job may be more than professional, she has no idea about the new occupational hazards that await her.

Mila Brook (Laura Mennell). Photo by Brian Johnson.

Mila Brook (Laura Mennell) On the surface, Mila is a beautiful ingénue on her way to film stardom, but her gorgeous façade conceals a steely revolutionary ambition. Mila has a dark and mysterious past that will not let her go; she’s willing to risk anything and use anyone to realize the cultural uprising she absorbed from her youth performing with Stanley Lee’s avant-garde theatre, the Empty Space Society.

 

Max Pamploni (Tom McBeath). Photo by Brian Johnson.

Max Pamploni (Tom McBeath) A mob boss, Max is head of the Pamploni family that controls the growing cinema chains in town, though his movie theatres are also a front for less legal activities. Max has his hopes set on a property in the south side rise for his next movie house.

Patrick Dugan (Gerard Plunkett). Photo by Brian Johnson.

Patrick Dugan (Gerard Plunkett) The boss of a syndicate that runs all the live theatres in the city, one of which is showing the hit play The Swan starring Mila Brook. Threatened by the growth of the film industry Paddy also has his eyes on a property on the south side rise for his new vaudeville house.

Sender (Hiro Kanagawa). Photo by Brian Johnson.

Sender (Hiro Kanagawa) The current leader of the ESS (Empty Space Society) since its original leader, Stanley Lee, disappeared.  Originally a group of avant-garde artists, the ESS has now gone underground as their philosophies have radicalized and they prepare an assault on the city.

Stanley Lee (James Fagan Tait). Photo by Brian Johnson).

Stanley Lee (James Fagan-Tait) Founder of the famous avant-garde theatre the Empty Space Society, Stanley’s theatrics and his resistance to narrative form memorably shocked his audiences. His agenda to change society through art was cut short when he disappeared in 1906. Was he murdered, or did he go into hiding?

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My LEAP to playwriting

Lyndsey (right) and her friend Erin at Tisch in Dublin.

 Guest Post by LEAP participant Lyndsey Bourne.  

Hi!  My name is Lyndsey Bourne and for the past two years I have been lucky enough to be a part of LEAP, the playwriting intensive for teen writers here at the Arts Club, and it’s been one of the best experiences of my life.  I’ve learned so much about the process of playwriting and so much about myself.  I am also amazed at the opportunities I have gained because of LEAP. 

This past year I wrote and directed my own play Sleeping Lessons for a one act play festival which was then chosen to be a part of the Theatre BC North Shore Zone Festival.  I received the Most Promising Newcomer award as well as the Outstanding Playwright award. 

Recently I returned from the trip of a lifetime.  I was one of 10 students accepted into the NYU Tisch School of the Arts summer high school program where I studied theatre abroad in Dublin, Ireland.  In this four week program I received 6 NYU credits and met other students from all over the world.  

Tisch drama students in our movement classes in the dance studio.

We spent our days taking classes in movement, text analysis, voice, and acting at the Samuel Beckett Theatre in Trinity College.  We also took an Arts and Culture class where we learned about the history of Ireland and took many field trips to museums, historical sites, and a day trip to Belfast to learn about the history of the conflict in Northern Ireland.  We spent our nights going to see theatre, Irish films, concerts, and other types of performing arts.  On weekends we travelled to various parts of Ireland including Galway, the Aran Islands, Howth, and Bray.  

A few of the Tisch students on the cliffs at Bray.

The program culminated with the final performance of our play based on Irish mythology that we wrote as a class.  From exploring the creation of theatre to the beautiful Irish countryside, this was an experience I’ll never forget.  I hope to pursue a career in theatre and I appreciate the tools and experiences that LEAP has provided me. 

Taken after our final performance at the Samuel Beckett Theatre with our director (in white) Bryan Burroughs.

In a few days, I’ll be starting my Senior year of high school at Seycove Secondary where I’ll be taking on new leadership roles in both the drama department and the music department as our Chamber Choir prepares to perform at Carnegie Hall this coming February!

The LEAP 2010 advanced class (standing) with our instructor Shawn Macdonald (bottom left) and the professional actors.

 

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Introducing . . . Tear the Curtain!

Laura Mennell in Tear the Curtain! Photo by Brian Johnson.

The first production of our 2010/2011 season is a world premiere commissioned as part of our Silver Commissions Project.  Tear the Curtain! is created in collaboration with the innovative Electric Theatre Company, and this stylish thriller is inspired by the “reel” history of the Stanley Theatre.  Experience a multimedia spectacle featuring your favourite Hollywood film noir archetypes: the mob boss, the femme fatale, the hardboiled detective, and his girl Friday.

Jonathon Young in Tear the Curtain! Photo by Brian Johnson.

Tear the Curtain! is a pure hybrid of theatre and feature film.  In 1930s Vancouver, where rival crime bosses fight for territory, a jaded critic uncovers the forgotten legacy of a theatrical legend.  A suspenseful reimagining of the events that lead to the birth of the historic Stanley Theatre, Tear the Curtain! lays claim to the entire venue —scenes unfold at the ticket window, in the lobby, the dressing rooms, and under the stage.  Created by a team of Vancouver’s most talented film and theatre artists, this innovative project promises a standoff at gunpoint between two halves of the Stanley’s past.  Does the truth lie somewhere between the stage and screen?  Watch the trailer below for a sneak peek!

 

Tear the Curtain!, which initially stages a battle between cinema and theatre, is ultimately about the eternal struggle for control of our attention.  Caught between the forces of the mainstream and avantgarde, the piece is a genre-bending psychological thriller in the style of Charlie Kauffman and David Lynch.  It fuses some of the visual sensibilities of 1930s experimental work (such as the silent films of Jean Cocteau and the theatre of Antonin Artaud) with more conventional cinema stereotypes of the 30s and 40s such as the Detective Mystery and the Film Noir.

Tear the Curtain! starts Sep 9 at the Stanley.  Buy tickets now!

Craig Erickson in Tear the Curtain! Photo by Brian Johnson.

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Goodbye to Glengarry Glen Ross, The 25th Annual Putnam County Spelling Bee, and our 09/10 season!

This weekend we bid farewell to our summer shows and the last two shows of our 2009/2010 season–Glengarry Glen Ross and The 25th Annual Putnam County Spelling Bee. Both shows were huge hits with full houses and raves from audiences and critics–Glengarry sold out 25 performances and Spelling Bee held over for 3 weeks! A huge thank you to the casts and crew for their truly amazing work and to you for making live theatre a part of your summers.

This season was one of our best ever and we’re tremendously grateful to everyone who had a part in making it so. Onwards to 2010/2011!

The company of Glengarry Glen Ross

 Our favourite audience reviews:

“An outstanding production of a great play. A clinic in stage acting. What a treat to see real professionals bring Mamet’s distinctive rhythms to life!”
—Arthur

“This David Marnet play is full of engaging dialogue, thought provoking pauses and intriguing characters totally committed to self survival in the cut throat world of a sales office. Performed by very strong, evenly balanced cast every element of this production measures up to the highest standards found on the West End or Broadway stage”
David, North Vancouver

“Like most I had seen the excellent film adaptation first and I wondered if the performances of the stage play cast would be as stellar as those of Lemmon, Pacino et all. I need not have worried; the performances in the stage version were equally as compelling as those in the film version–and some cases even more absorbing. As a result this play will draw you in and demand your attention right to its tragic ending.”
Chris

The company of The 25th Annual Putnam County Spelling Bee

Our favourite audience reviews:

“What wonderful casting! It would be a travesty to see any other actors in those parts — you were all SO good. And what terrific songs! The 3-piece band – phenomenal! The set — like a real high school gym! All this and audience participation, too! I loved every minute and as soon as it ended, I wanted it to start again. Arts Club, you really rocked with this one. I wish I could buy the movie rights. Thanks for bringing it to us!”
Sandi, Tofino

“I absolutely loved the 25th Annual Putnam County Spelling Bee!! My friend and I sat in the front row and thoroughly loved every moment!! My only regret is not having the C-H-U-T-Z-P-A-H to get up on stage! So, I guess I’ll just have to buy another ticket and give it a go!! Thanks for a wonderful performance!!”
Tony, Vancouver

“Even my 14 year old son loved it. He “hates musicals” as a rule. My 10 year old twins laughed throughout and my half deaf mother-in-law could hear every word! It is the kind of show that should never close. Each character was so compelling. I looked up the play on youtube and found unimpressive videos of other productions. They do not do this show justice. Looking up the actors in this production on the web I found that each one has a long resume of very successful shows.”
Gregory, Vancouver

For Leaf Coneybear’s (Jeremy Crittenden) thoughts on saying G-O-O-D-B-Y-E, check out his blog post Bye bye, Bee.”

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Ch-ch-changes down on Granville Island!

If you’ve been down on Granville Island in the past few months, you’ve probably noticed some construction afoot at the Granville Island Stage and wondered what the heck was going on! We’re very excited that, after 30 years, the theatre is undergoing some amazing renovations:

  • The box office is being relocated to the front of the building and has been designed to better serve guests with improved access for special needs.
  • The theatre lobby is being upgraded
  • There will be improvements to the rehearsal space and backstage areas

Below are some photos of the construction. Thank you so much for your patience during the renovation process and we can’t wait for the final product sometime this fall!

To see more photos, visit our Flickr photostream.

The front of the building where reception used to be (beginning of June)

Rehearsal Room expansion

Laying the foundation for the new box office (beginning of August)

Framing of the new Marquee. Early August.

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The Other Side of Eric McCormack

Guest post by Group Sales Representative, Mike Mackenzie

Broadway theatres have been swamped in the past few years with film and television stars treading the boards in a wide variety of productions, but unless you’ve been following the musical theatre scene in New York and Los Angeles, you may not know that our own Eric McCormack has made a mark in the world of musical theatre!

At Stephen Leacock Secondary School in Scarborough, he performed in the musicals Godspell and Pippin, written by Stephen Schwartz of Wicked fame. It was in those two productions that his interest in performing began to solidify.

Following his graduation from high school and his subsequent time at Ryerson University, Eric focused more on other stage work including a stint at the Stratford Festival of Canada (now known as the Stratford Shakespeare Festival), but Eric did spend one season performing in the musical The Boys from Syracuse, by Richard Rodgers and Lorenz Hart and then he left Canada to work in Hollywood on Lonesome Dove and Will & Grace, amongst others.

Eric's headshot from 1989 Stratford souvenir program

It was 2001 when Eric received the call to join the Broadway revival cast of Meredith Wilson’s The Music Man as the lead male, Harold Hill, and sing the seminal Broadway classic “Seventy Six Trombones.” Eric would take over from Tony Award nominee Craig Bierko, and play opposite Tony nominee Rebecca Luker for 3 months while he was on his summer hiatus from W&G.

Following the conclusion of Will & Grace, Eric returned to the stage in his adopted home of Los Angeles in a production of Tom Schmidt and Harvey Jones’ The Fantasticks, which is hailed as the world’s longest running musical. He played the role of El Gallo, the narrator of the piece. The show was produced by Reprise Theatre Company, whose Artistic Director is Jason Alexander of Seinfeld fame. The show also starred Harry Groener (the original Bobby Child in Crazy for You on Broadway) and Lucas Grabeel, who would be most recognized for his work in the High School Musical trilogy as Ryan Evans.

Eric McCormack in The Fantasticks

The Hollywood Reporter said this of Eric’s performance: “The cast is total dynamite. Everyone gasps and marvels at leather-sheathed Eric McCormack’s El Gallo. He sings like a baritone Valentino, with a lip-curled villainy and an endearing sense of reality, which makes him all the more irresistible.”

Eric has also appeared as Dr. Frank n’ Furter from The Rocky Horror Show – in pictures at least.  To see a photo of Eric as Frank click here.

We all know Eric for his comedic turn in Will & Grace, and now his more graphic, dramatic turn in our production of Glengarry Glen Ross –fingers scrossed that he might one day appear in one of our musicals!

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